World of Threads Festival
Blog Archive: Fibre Artist Interviews
Since the series was launched in 2011, Dawne Rudman and Gareth Bate have been interviewing local, national or international fibre artists. We have published over 137 artist interviews to date. Join us as we create a comprehensive archive of some of the most exciting fibre artists in the world. People have subscribed from 96 countries.
Artist Interview 134: Mary Grisey
Tell us about your work: For Lethe, 2014, 8’H x 2’D x 4’W, hand-dyed sisal rope, rusted steel. Technique: Handmade, hand-dyed large-scale weaving loom tapestry using plain & soumak weaves. Photo: Miles Collyer. Previous World of Threads Exhibitions For Lethe, 2014, detail, 8’H x 2’D x 4’W, hand-dyed sisal rope, rusted steel. Technique: Handmade, hand-dyed…
Artist Interview 120: Barbara Klunder
In your art practice you have been involved in many fibre mediums over the years. Tell us where you started, and how you moved into the other media. Artist: Barbara Klunder Previous World of Threads Exhibitions Monarch Butterfly. 2009 5′ x 4′ Washi paper-cut. Part of Insects paper-cut show, David Kaye Gallery/Ontario Craft shows. What…
Artist Interview 119: Megan Skyvington
Tell us about your work? Artist: Megan Skyvington. What do you think of us placing your work within the context of fibre art and how do fibre techniques and materials relate to your practice? Take Over (from the series Perfect Imperfections), varies, wire, wire mesh, handmade paper, acrylic ink, ribbon, photo: Adelle Rae Taylor, model:…
Artist Interview 117: Heike Blohm
What does your artwork involve? Artist Heike Blohm, photo: Bernard Gagne. A touch of mischief, a little bit of mystery, and a little bit of wisdom – they all have something. A lot of your work is with figurative pieces, how did this come about? Anemone, 18″ H, hand dyed cottons, lace, chiffon, beads, wooden…
Artist Interview 113: Karen Goetzinger
Tell us about your work? Artist: Karen Goetzinger. Previous World of Threads Exhibitions A State of Transparency, site-specific installation, pima cotton organdy, Pojagi. Photo: Karen Goetzinger. A State of Transparency, site-specific installation, pima cotton organdy, Pojagi. Photo: Karen Goetzinger. Which is your favourite fibre medium, what other mediums do you work in, and how does…
Artist Interview 112: Andrew MacDonald
Tell us about your work? Artist: Andrew MacDonald. I’m motivated to discuss the humorous aspects of confusion and insecurity in life. Where do you get your inspiration? Blue and Orange (Studio Installation), Knitted natural and synthetic yarn, pillow stuffing, various plastic forms and sono tubes, Blue, 76 inches high, 30 inches wide, Orange 84 high,…
Artist Interview 110: Catherine Heard
Tell us about your work? Artist: Catherine Heard Previous World of Threads Exhibitions Freud’s Bride, 60 x 16 x 30, 1996, Found satin dress, hand embroidery, armature. installation at Duke-u-menta, Toronto. Photo: Simon Glass. Freud’s Bride, detail, 60 x 16 x 30, 1996, Found satin dress, hand embroidery, armature. installation at Duke-u-menta, Toronto. Photo: Simon…
Artist Interview 101: Noelle Hamlyn
Tell us about your work? Artist: Noelle Hamlyn. Previous World of Threads Exhibitions Sweetness of the Work, salt and paper encrusted singer sewing machine from 1901; cotton embroidery and hand spun linen paper thread over 100 hand made bobbins, 380 cm x 360 cm (room), 2013. Photo: Noelle Hamlyn I am currently considering the gender…
Artist Interview 96: Barbara Hilts
Tell us about your work? Artist Barbara Hilts, photo: Alex Ouellette Previous World of Threads Exhibitions Blocked Circles III, 07/07/11, 13x13x2 cm 100% silk, Fibre reactive Reverse Flower smocking stitch, dyes and wax resist on hand painted silk, photo: Pete Paterson. Fibre has been a constant, a fascination and an obsession throughout my life. Where…
Artist Interview 90: Temma Gentles
Tell us about your work Artist: Temma Gentles with Muse. “I’m holding a 1950’s-60’s Life Magazine photo of a 93-year-old Appalacian weaver whose joints obviously work better than mine..” Cover for a Framed Scroll of Esther, mixed fabrics; stenciling and appliqué. Two sections: 36 x 53 cm (14 x 21 in) and 36 x 163…