quiet-zone-background-world-of-threads-festival-gareth-bate

World of Threads Festival

Quiet Zone

2012 Exhibition: Artworks

For this major exhibition Festival Chair/Curator, Dawne Rudman, was most caught by the submissions in neutral colours and from this an idea emerged. Neutral colours are often used as a background or to give a highlight to something. However, they can also be elegant, alluring and strong, deserving prominent recognition in their own right. Ranging from the blacks with their shadowy hues, to the chalky whites, the work also explores the cafe au lait, sand and tan shades. The result is a rich range of opposites and complements. There are fragile pieces, which almost beg for protection. Others while being multi-layered, are very revealing. Some are made of silk or paper adding to their delicate appearance, some have a luminous quality, and some cast gentle shadows.

Photography by Gareth Bate

Maggie Tchir and Kathleen Hill

Nelson and Rossland, British Columbia, Canada

Maggie Tchir and Kathleen Hill, Earth Nest, detail.
Maggie Tchir and Kathleen Hill, Earth Nest, detail.

Working your way through the exhibition, can you speak about the artist's work and how they fit within your show?

Twenty-five artists from Austria, Canada, France, Ireland, the United Kingdom and the USA were featured in this major exhibition of the World of Threads Festival 2012.

I would like to talk about the pieces that formed the basis for the exhibit.

Maggie Tchir and Kathleen Hill, Earth Nest.
Maggie Tchir and Kathleen Hill, Earth Nest.
Maggie Tchir and Kathleen Hill, Earth Nest.
Maggie Tchir and Kathleen Hill, Earth Nest.

Curator

  • Canada: Ontario: Oakville: Dawne Rudman

Artists

  • Austria: Vienna: Kerstin Bennier
  • Canada: British Columbia: Nelson: Maggie Tchir, Rossland:  Kathleen Hill, Summerland: Barbara Wellborn. Ontario: Brampton: Chamila Belleth, Cambridge: Nancy Yule, London: Dagmar Kovar, Manitoulin Island: Judy Martin, Mississauga: Pat Hertzberg, Oakville: Ixchel Suarez, Peterborough: Kelly O'Neill, Toronto: Lorena Sandin Andrade, Yael Brotman, Lisa DiQuinzio, Lisa Kemp, Valerie Knapp, Colleen A. Lynch, Rochelle Rubinstein.  Quebec: Montreal: Ariane Lavoie. 
  • France: Lyon: Domonique Arlot.
  • Ireland: Co. Kildare: Saidhbhin Gibson.
  • UK: Cambridgeshire, Cambridge: Catherine Dormor.
  • USA: California: Los Angeles: Lori Zimmerman. Michigan: East Lansing: Xia Gao. North Carolina: Raleigh: Megan Bostic.

Gallery

  • The Gallery at Queen Elizabeth Park Community and Cultural Centre.

City

  • Oakville, Ontario, Canada

Dates

  • Nov. 2 - Nov. 18, 2012
Maggie Tchir and Kathleen Hill, Earth Nest.
Maggie Tchir and Kathleen Hill, Earth Nest.
Maggie Tchir and Kathleen Hill, Earth Nest, detail.
Maggie Tchir and Kathleen Hill, Earth Nest, detail.

Earth Nest by Maggie Tchir and Kathleen Hill from British Columbia was one segment from a large installation entitled Cosmic House. Maggie and Kathleen used Merino and Romney wools to hand-felt flat and molded wool for the piece, which was delivered to the gallery on a forklift. For me, this sculptural work made a dual statement. On one hand it appeared firm and strong, while on the other there was a definite delicacy to the artwork.

Saidhbhin Gibson

County Kildare, Ireland

Saidhbhin Gibson, Make good make better, woven bars.
Saidhbhin Gibson, Make good make better, woven bars.
Saidhbhin Gibson, Make good make better, woven bars.
Saidhbhin Gibson, Make good make better, woven bars.

The very first piece on entering the gallery was Make good, make better – Woven bars by Irish artist Saidhbhín Gibson. I decided to place this piece at the entrance to set the tone for the show. For this delicate piece Saidhbhín had used cotton thread and the technique of needlepoint lace to stitch onto a sweet chestnut leaf. The small scale of her work added to the recognition of the fragility of the work.

Catherine Dormor

Cambridge, England.

Catherine Dormor, 
Shimmer I, II & III, 2011, each 200 x 130 x 30cm, digital print on silk satin and silk organza.
Catherine Dormor, Shimmer I, II & III, 2011, each 200 x 130 x 30cm, digital print on silk satin and silk organza.
Catherine Dormor, 
Shimmer, detail.
Catherine Dormor, Shimmer, detail.
Catherine Dormor, 
Shimmer I, II & III, 2011, each 200 x 130 x 30cm, digital print on silk satin and silk organza.
Catherine Dormor, Shimmer I, II & III, 2011, each 200 x 130 x 30cm, digital print on silk satin and silk organza.

Lisa DiQuinzio

Toronto, Ontario, Canada

Lisa DeQuinzio, Wool Silk and Thread, and Good Morning Midnight.
Lisa DeQuinzio, Wool Silk and Thread, and Good Morning Midnight.
Lisa DeQuinzio, Wool Silk and Thread, and Good Morning Midnight.
Lisa DeQuinzio, Wool Silk and Thread, and Good Morning Midnight.
Lisa DiQuinzio, Wool, Silk and Thread, detail, Size. 91" diameter Medium.wool, silk, thread.
Lisa DiQuinzio, Wool, Silk and Thread, detail, Size. 91" diameter Medium.wool, silk, thread.
Lisa DiQuinzio, Good Morning, Midnight, detail, Size. 91"diameter Medium. burlap, twine, thread, dye.
Lisa DiQuinzio, Good Morning, Midnight, detail, Size. 91"diameter Medium. burlap, twine, thread, dye.

The two mandala-like spherical pieces by Toronto artist, Lisa DiQuinzio made a striking visual impact. Wool, Silk and Thread is a woven piece using wool blankets, silk and threads. Good Morning Midnight is also woven this time using burlap and twine. Each piece is 91 " high and 91" wide at the largest point. I'll talk a little more about the installation of these two pieces a little later on.

Megan Bostic

Raleigh, North Carolina, USA

Megan Bostic, Stale Hope too much was never enough.
Megan Bostic, Stale Hope too much was never enough.
Megan Bostic, Stale Hope too much was never enough, detail.
Megan Bostic, Stale Hope too much was never enough, detail.

Megan Bostic from Raleigh, North Carolina originally submitted to the Fibre Inspired Call for Submissions. When I saw her piece, Stale Hope: too much was never enough, I just knew that I had to have it in my show, as it fitted into the theme beautifully. Megan used a double weave technique to create this work incorporating an array of every day objects like found plastics, dental floss, plastic vinyl, bubble wrap, baby wipes, coffee grounds, twine and aluminum wire.

Yael Brotman

Toronto, Ontario, Canada

Yael Brotman, Campbell Street Renovated.
Yael Brotman, Campbell Street Renovated.
Yael Brotman, Kaffeehaus.
Yael Brotman, Kaffeehaus.
Yael Brotman, Teardrop, Small and Large.
Yael Brotman, Teardrop, Small and Large.
Yael Brotman, Teardrop, Small and Large.
Yael Brotman, Teardrop, Small and Large.

Rochelle Rubinstein

Toronto, Ontario, Canada

Rochelle Rubinstein, House of Learning.
Rochelle Rubinstein, House of Learning.
Rochelle Rubinstein, September 12.
Rochelle Rubinstein, September 12.
Rochelle Rubinstein, September 12, detail
Rochelle Rubinstein, September 12, detail

Judy Martin

Manitoulin Island, Ontario, Canada

Judy Martin, Energy Cloth.
Judy Martin, Energy Cloth.
Judy Martin, Energy Cloth, detail.
Judy Martin, Energy Cloth, detail.
Judy Martin, Trinity. Linen damask, silk, dyed line, hand pieced, hand applique, hand quilted. 22" wide by 30" high, 2011.
Judy Martin, Trinity. Linen damask, silk, dyed line, hand pieced, hand applique, hand quilted. 22" wide by 30" high, 2011.

Xia Gao

East Landing, Michigan, USA

Xia Gao, Mountains and Streams Secular and Pecuniary.
Xia Gao, Mountains and Streams Secular and Pecuniary.
Xia Gao, Mountains, Streams, Secular and Pecuniary, detail.
Xia Gao, Mountains, Streams, Secular and Pecuniary, detail.

Kerstin Bennier

Vienna, Austria

Kerstin Bennier, sitz kugel white, hand made felt: merino wool and cotton fabric, D: 50 cm.
Kerstin Bennier, sitz kugel white, hand made felt: merino wool and cotton fabric, D: 50 cm.
Kerstin Bennier, sitz kugel white, hand made felt: merino wool and cotton fabric, D: 50 cm.
Kerstin Bennier, sitz kugel white, hand made felt: merino wool and cotton fabric, D: 50 cm.

The piece Sitz.kugel - white came from Vienna, and was made by Austrian artist Kerstin Bennier. This lovely big ball is made with Merino wool and cotton fabric using a handmade felting technique. Every time I looked at this piece, I couldn't help wondering how long it had taken to make and just how many feet in length had gone into this solid ball, which had a diameter of about 50 cm.

Nancy Yule

Cambridge, Ontario, Canada

Nancy Yule, Techno-Scape.
Nancy Yule, Techno-Scape.
Nancy Yule, Emergence.
Nancy Yule, Emergence.

Pat Hertzberg

Mississauga, Ontario, Canada

Pat Hertzberg, Black Widow Wrap.
Pat Hertzberg, Black Widow Wrap.
Pat Hertzberg, Black Widow Wrap, detail.
Pat Hertzberg, Black Widow Wrap, detail.

Ixchel Suarez

Oakville, Ontario, Canada

Ixchel Suarez, Fractals from Nature.
Ixchel Suarez, Fractals from Nature.
Ixchel Suarez, Fractals from Nature, detail.
Ixchel Suarez, Fractals from Nature, detail.

Chamila Belleth

Brampton, Ontario, Canada

Chamila Belleth, Peeking Willows.
Chamila Belleth, Peeking Willows.

Another piece that caught my eye early on was Peeking Willows by Chamila Belleth, a recent graduate of the Craft & Design Textile Program of Sheridan Institute in Oakville. Using transparent cotton gauze fabrics as a base, Chamila embroidered tree patterns creating a tranquil piece in earth tones

Kelly O'Neill

Peterborough, Ontario, Canada

Kelly O'Neill, Vestige.
Kelly O'Neill, Vestige.

Barbara Wellborn

Summerland, British Columbia, Canada

Barbara Wellborn, The Pilgrimage.
Barbara Wellborn, The Pilgrimage.

I would also like to talk a little about The Pilgrimage, by Barbara Wellborn of Summerland, British Columbia, which was a hit with many visitors. This artwork has many elements to it with an intricate array of meaning and symbolism. Unfortunately space will not allow me to tell the whole story, so here is merely a snippet of information about the cape. The cape is made with silk organza, merino, corriedale, camel, mohair and alpaca wools, and banana silk fibre, using the techniques of felting, needle felting, embroidery and beading. Barbara dyed/aged the cape by placing it in the earth after the spring thaw. Patchouli root was used to outline the continents on the centre map panels and served also to protect it from insects during the aging process when it was buried in the ground for 22 days. There are religious symbols from each of the major world religions, a map of the old world and one of the new world and over 50 different countries are represented in the garment, in materials, currencies or objects.

We displayed the cape on a vintage mannequin on loan from the Oakville Museum. Barbara had sent along a folder giving information on the cape, which we displayed on a music stand close by. One viewer simply had to 'get down to it' to see the inside. In retrospect, as the inside was as interesting as the outside, it would probably have been a great idea to have it standing on a mirror.

 

Dominique Arlot

Lyon, France

Dominque Arlot, Black and White 1.
Dominque Arlot, Black and White 1.

Dagmar Kovar

London, Ontario, Canada

Dagmar Kovar, Bowls.
Dagmar Kovar, Bowls.
Dagmar Kovar, Bowls.
Dagmar Kovar, Bowls.

Lisa Kemp

Toronto, Ontario, Canada

Lisa Kemp, Zen Triangle.
Lisa Kemp, Zen Triangle.

Lori Zimmerman

Los Angeles, California, USA

Lori Zimmerman, New Growth and Unbound.
Lori Zimmerman, New Growth and Unbound.

Colleen A Lynch

Toronto, Ontario, Canada

Colleen A Lynch. Sirens Sing for Everyone.
Colleen A Lynch. Sirens Sing for Everyone.

Ariane Lavoie

Montreal, Quebec, Canada

Ariane Lavoie, Goutte d  humanit.
Ariane Lavoie, Goutte d humanit.

Lorena Santin Andrade

Toronto, Ontario, Canada

Lorena Santin Andrade, Warm.
Lorena Santin Andrade, Warm.

Valerie Knapp

Toronto, Ontario, Canada

Valerie Knapp, Time.
Valerie Knapp, Time.

Authors