World of Threads Festival
Blog Archive: Fibre Artist Interviews
Since the series was launched in 2011, Dawne Rudman and Gareth Bate have been interviewing local, national or international fibre artists. We have published over 137 artist interviews to date. Join us as we create a comprehensive archive of some of the most exciting fibre artists in the world. People have subscribed from 96 countries.
Artist Interview 22: Birgitta Hallberg
Tell us about your work? Artist Birgitta Hallberg Previous World of Threads Exhibitions House in the wood V, 20 x 20 cm Summer’s Night, 35 x 35 cm. woven tapestry. My tapestries are a journey into the mythical and supernatural world, where anything can happen. Why did you choose to go into weaving? Mundtøj, V,…
Artist Interview 21: Judy Martin
Tell us about your work? Artist Judy Martin. Photo: Ned Martin. Previous World of Threads Exhibitions Light of the Moon. Acrylic paint, wool and cotton threads, canvas, paper. Stitched Collage. 36″ wide by 41″ high. 2009. photo J Martin. I think of my fibre artwork as poetry. Why did you choose to go into fibre…
Artist Interview 20: Gordana Brelih
Tell us about your work? Artist Gordon Brelih in her studio. Previous World of Threads Exhibitions Circle of Memories 2, 2009, 10″x42″, machine and hand-stitched felt. I begin with an idea and it carries me far into the night. Where do you get your inspiration? The Beast, 2006, stitched bubble wrap machine and hand stitching,…
Artist Interview 17: Judith Tinkl
Cyclops, 2005, 84″x 65″, textile hanging/quilt, machine pieced, hand quilted. The design derives from only two shapes, one equilateral triangle and a square with the same dimensions, divided into two or four smaller triangles. The geometric patterns generated using these shapes are infinitely variable. Colour, both hue and light/dark contrasts can cause particular shapes or…
Artist Interview 15: Allyn Cantor
Tell us about your work? Artist Allyn Cantor Previous World of Threads Exhibitions Caverns and Corridors Where do you get your inspiration? Deliverance, 38″ x 48″ I realized that textile techniques could be used to create art rather than just being applied to design or function. Why did you choose to go into fibre art?…
Artist Interview 14: Pat Burns-Wendland
Tell us about your work? Artist Pat Burns-Wendland Previous World of Threads Exhibitions Wisteria, Handwoven and dyed 100% silk 16 shaft pattern long shirt. This piece was a finalist in the 2011 NICHE awards in the US, photo credit: Pete Paterson I’m intrigued by the art of the cave dwellers and the aboriginal art of…
Artist Interview 13: Barbara Wisnoski
Tell us about your work? Barbara Wisnoski in her Montreal studio with a work in progress. Photo: Brooks Yardley Previous World of Threads Exhibitions Where do you get your inspiration? Field, detail Why did you choose to go into fibre art? Earth (repetition of an act of mourning), 68 x 76 inches, fabric, thread; machine-pieced.…
Artist Interview 11: Amy Bagshaw
Tell us about your work? Artist Amy Bagshaw Previous World of Threads Exhibitions I have spent much of my life deep in the Northern Ontario forests. Where do you get your inspiration? Unravel and Thaw (Penelope’s Shroud), 2006, Burlap, multiple video projections, chair, rug, bucket, ice, Stony Brook, NY Why did you choose to go…
Artist Interview 10: Jesse Harrod
I use fibre and craft as a platform to explore assumed, relative meaning via contextual remixing and queering. Tell us about your work? Artist Jessica Harrod Previous World of Threads Exhibitions Where do you get your inspiration? Frosty Pink Lipstick Smeared All Over His Face, detail Frosty Pink Lipstick Smeared All Over His Face, detail…
Artist Interview 9: Emma Nishimura
Tell us about your work? Artist, Emma Nishimura Previous World of Threads Exhibitions An Underlying Sadness, 2010, Photogravure etching and thread, 20″ x 25″ x 1″ Where do you get your inspiration? My grandmother was interned in Slocan, an internment camp for Japanese Canadians in the interior of British Columbia, from the spring of 1942…